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Art @ Work  launched its pilot program in the summer of 2015 by the Baltimore Office of Promotion & The arts in partnership with Jubilee Arts in the neighborhood of Sandtown. It’s a five week program that brings together Baltimore City youth who are enrolled in the YouthWorks program and master teaching artists, to create 8 murals and mosaics throughout a selected neighborhood in Baltimore City. Art @ Work 2016 is taking place in the neighborhood of Upton, running from June 27th-July 29th.

The program not only offers the youth of Baltimore career opportunities and an introduction to employment in the arts, but it also gives participants an opportunity to express themselves through art in a positive environment, while at the same time working to beautify and enhance their community.

Youth participants will work in 8 groups of 10 alongside one professional artists and one intern, to canvas the neighborhood, develop designs, present their design proposals to the public, and bring their design ideas to fruition. The youth apprentices also receive soft skills in workforce development and financial literacy training, as well as leadership development in areas like public speaking, community activism, interview preparation, and resume writing. Thus Art @ Work also aims to help prepare and train participants to enter and flourish in the workforce.

In its inaugural year, Art @ Work employed 80 of Baltimore youths, ages 14-21, and created 9 spectacular murals and mosaics in the neighborhood of Sandtown, under the apprenticeship of the master teaching artists. This year, 8 professional artists have been selected for the Upton program, many of whom are returnees from last summer, as well as some new faces, each Master with their own distinct and exciting artistic style.

Ernest Shaw, one of the Master Teachers from the summer 2015 program in Sandtown, is excited and enthusiastic to come back this summer, and to have the opportunity to participate in such a successful and rewarding program once again.

Shaw’s artwork is a creative endeavor to accurately reflect his upbringing and education in a visual way, and to grapple with the portrayal of African Americans in our society. Much of his art specifically works combat negative images and stereotypes of African people throughout the diaspora. “My mission and purpose is to illustrate the beauty of being an African in America while maintaining truthfulness and authenticity in the process.” A native to West Baltimore, Shaw is an experienced painter and muralist, who’s impressive, expressive, and vibrant works can be seen throughout his home city.

       

Gary Mullen, Mullen, another returning master teacher is an award winning artist who studied graphic design at Morgan State, Mullen refers to his unique panting style as Synthetic Cubism, which he developed through the study of genius artists like Pablo Picasso. Mullen has painted several public murals throughout Baltimore City, which have been praised in The Baltimore Sun and other publications over the years.

Last summer, Mullen greatly enjoyed being able to help the youth of Baltimore grow a deeper appreciation for art, as well as helping them improve their painting skills.

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Herb Massie another returning Master Teacher and lifelong resident of Baltimore City, is a self-taught community based mosaic artist and sculptor. As director of community engagement for Baltimore Clayworks, and recipient of this years Sue Hess Maryland Arts Advocate of the Year Award, Massie has coordinated, led, and participated in several community art projects in and around the city including, Discovering Community: The History of East Baltimore and The Parkway Community mural, among others.

Best known for his mosiacs and claywork, he is also a seasoned and celebrated teacher in art-making all around Baltimore.

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Iandry Randriamandroso, a Baltimore resident originally from Madagascar, is a muralist and community artist, specializing in graphic and mixed media art-making which focuses on subjects pertaining to the environment and social issues.

He has worked with Baltimore office of Promotion of the Arts before, both as a Master artist in last years Art @ Work program, and as the selected artist for the Bmore Birds Project, for which he created several large scale public murals depicting the local birds of Maryland.

Randriamandroso works to use art as an educational tool to facilitate inclusive and hands on presentation, and creates works that are accessible to everyone and engage the community.

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Ignacio Mariño Larrique is Uruguayan a Miami based artist who specializes in murals and symbolism. He engages the community in his art by creating customized holistic art works.

Mariño Larrique has also worked as a painting teacher and a volunteer artist, working to improve cities and public buildings by creating vibrant and intricate murals on their facades.

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Julie Anne Horton is a visual artist, teacher, and social justice advocate currently living and working in Baltimore. She came to Baltimore to study painting at the Hoffberger School Painting at the Maryland Institute College of Art, where she received her Master of Fine arts Degree

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Megan Lewis, a professional illustrator, utilizes a variety of mediums in her array of dynamic and colorful artwork. She works to create images that focuses on stories reflecting a critical view of social, historical, and cultural issues. Currently she is living in her hometown of Baltimore and works as a freelance artist.

Another returning Master artist, in the past year Lewis has gained experience teaching and painting murals and learning how to effectively teach art to youth to ensure each participant gets the most benefit possible from the Art @ Work program.

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Mike Thomas, an artist and teacher Baltimore obtained his BFA and MFA  in art Education at The Maryland Institute College of Art. He has participated in many art exhibits and won several awards over the years

He is a returning Master Teacher for Art @ Work and looks forward to an equally successful and enriching experience with the youth of Baltimore as he experienced last year.

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This summer, each of the eight teams teams will create public murals and mosaics along the Pennsylvania Avenue cultural corridor at sites including: Shake & Bake Family Fun Center, The Avenue Market, Sissy’s Seafood, Lafayette Market, Crazy Beauty Mart, Etting & Wilson Park, Eutaw Marshburn Elementary School and the 1900 block of Division Street.

On Wednesday July 6th from 6-9pm the youth artists led a community design presentation to present their project ideas at the Shake & Bake Family Fun Center.

We are all eager and excited to see the designs the masters and apprentices come up, and how these projects will materialize over the next several weeks, until the program is completed. On July 29th, the the completion of the program will be celebrated and viewed with trolley tours at Shake & Bake from 6-9pm.

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Rolling Submission Deadline: 2nd Monday of Each Month

The City of Ithaca Public Art Commission (PAC) seeks proposals from artists or organizations for site-specific murals that will become part of the city-wide public art mural initiative. The theme is open, but proposed installations should be thoughtful of the community in which they are being placed.

Rolling Submission Deadline: 2nd Monday of Each Month

Information: ithacamuralstreetart@gmail.com

or New England Foundation For The Arts

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Public Arts Project: The Free Library of Philadelphia

The City of Philadelphia’s Percent for Art Program, through the Office of Arts, Culture and the Creative Economy (OACCE) announces a $50,000 competition to commission an interior site-specific artwork for The Free Library of Philadelphia’s main branch at Parkway Central. This commission is part of a $36 million major renovation.

The Percent for the Art Program and the Free Library of Philadelphia seek to commission an indoor high quality, original site-specific artwork. Alongside the design team, we have identified a two-story open shelving system as the site for this commission. This system is located on the first and second floors of the renovated space, within the BRIC and Common areas. Potential artwork could be a surface treatment of the shelves themselves, or placement of objects within or on the shelves. More information will be given at the Pre-Proposal Meeting. A budget of $50,000 has been allocated for this Percent for Art commission. This sum is inclusive of all artist(s) fees, insurance, fabrication, installation, travel, and all other project related expenses.

This competition is open to artists and artist-teams who reside in the United States. The City of Philadelphia reserves the right to determine additional eligibility requirements. Artwork will be selected on the basis of creativity, artistic merit, technical proficiency, and relationship to the site. Long-term maintenance, durability, and public safety concerns will be major selection criteria. Artists are required to comply with applicable rules, contracts, and procedures of all governmental boards and agencies of the City of Philadelphia.

Applications for round one of the selection process are due June 29, 2016 at 5PM. 

For more detailed information please refer to the complete Call for Artists.

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Call for Entries: National Juried Exhibition: “Art as Politics”

Touchstone Gallery, Washington, DC

Deadline for submissions: July 5, 2016 

Express everything you love and hate in the current election process as a visual art form. Love, anger, concern – get it all out and be part of our show. Abstract, figurative, installation – all original visual media are welcome.

Awards: 1st Prize: $750, 2nd Prize: $500, 3rd Prize: $250

To apply please visit their website and click on “ART AS POLITICS” JURIED SHOW ENTRY.

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CFP: INFORMATION; Black Voices in Contemporary Art

DEADLINE: July 1, 2016

The Salisbury University Art Galleries are calling for proposals by artists or curators for installations and/or socially engaged projects that are provocative, inquisitive and contribute to the ongoing conversation of race and representation in contemporary art and society. We are open to a plurality of topics and seek to present the infinitely varied perspectives that exist in Black Culture. We are especially interested in projects that include community involvement/engagement.

Selected artists/curators will be presenting projects at our temporary gallery space in downtown Salisbury. This space has a very publicly visible store-front window area that we encourage proposals to consider and utilize. Dimensions and images of this space can be found on the floor plan below.

Proposals should include:

  • Your name, contact information, and a current CV; as well as the names of all artists involved if a group project is proposed.
  • A thorough description of the project, addressing how it relates to the themes mentioned above as well as more practical information such as the artist(s) and artwork(s) involved. In addition, please state any technical needs to realize your proposal. Selected projects will be supported with travel money and a small honorarium.
  • If additional funding is needed to mount the project please include that in your proposal as well.
  • Please include at least 3 images to support your project narrative. These can be sent as attachments, or you can include a URL with the project description.
  • Proposals must be complete and received by July 1, 2016 for full consideration. Send all materials to galleries@salisbury.edu and use the subject “inFORMATION” in your email.
  • For any questions please contact Elizabeth Kauffman, Director of Galleries ateckauffman@salisbury.edu or 410-546-2884.

 

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Strange Figurations, this thematic exhibition is focused primarily on Surreal, Visionary, Outsider and generally Extraordinary art forms. Open to all media, techniques and styles. 72” maximum dimension. The exhibition will be held at the Limner Gallery, September 8 – October 2, 2016. Three artists from the exhibition will be selected to appear in the annual, “Best of Limner” Magazine and catalog.

http://www.slowart.com/prospectus/strange.htm?referer=artdeadlineslist.com

ELIGIBILITY AND RESTRICTIONS: The competition is open to all artists, national and international, working in all media. All forms of painting, drawing, sculpture, photography, graphics, digital and installation art, video, etc. are eligible. Entrants must be 18 years of age or older to apply. Wall mounted works must not be taller than 72″ no wider than 120″. Sculptural work must fit through a 36″ wide entry door.

EXHIBITION AND AWARDS: Winning artists will be featured in a group exhibition at the Limner Gallery, September 8 – October 1, 2016. The exhibition will also be displayed on the Limner Gallery web site. Three artists will be featured in the new Best Of Limner annual catalog and magazine. EXHIBITION TERMS: All works in the show must be for sale. The gallery will take a 30 percent commission on all sales. Sale price is determined by the artist.

ENTRY FEES: There is a $35.00 entry fee for one to four artworks entered, presentation is by digital JPG image files. There is a $5.00 fee for each additional artwork above four. Details of 2D artwork count as an additional artwork. Sculptors may provide one additional view per artwork without cost. Artists accepted to exhibit will not be charged additional fees of any kind. Payments by credit card at time of entry using PayPal, or check or money order payable to SlowArt Productions.

USE / COPYRIGHTS: Artist retains all copyrights to submitted images and represented artwork. Digital images submitted with artist entry are for exhibition selection only and will be deleted after completion of the selection process. By entering the competition, artists selected to exhibit grant Limner Gallery rights to use the selected image(s) on printed materials and the gallery web site for promotional purposes only. Limner Gallery and/or SlowArt retain no copyrights to artists work.

NOTIFICATION: Artists will be notified of acceptance or non-acceptance no later than July 30, 2016. Results will be posted on or before this date at: http://www.slowart.com/results. Notification will be made via email and by posting on the results page. All artists who provide a working email address will be notified via email, if no email is provided, artists will be notified via postal mail only if accepted to exhibit. Type your email address clearly, if a mistake is made you will not be notified.

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Request for Proposals: SUNNYFIELDS
Application Deadline: Friday, April 22nd, 5pm

Maryland Art Place (MAP) is now accepting applications for its spring 2016 IMPACT project at Sunnyfields located 6305 Falls Road Baltimore, MD 21209. This Spring, MAP is partnering with the Sunnyfields, a division of Delbert Adams for an artist or several artists to display their work within the Sunnyfields retail space and gallery as part of the one year anniversary of the Sunnyfields showroom.

IMPACT is an annual, public art program developed to extend Maryland Art Place’s reach to broader audiences brining the work of living artists into the public eye. Each IMPACT project is unique and developed based on the partnering site.

**Artists are strongly encouraged to visit Sunnyfields prior to submission. Collectively MAP and Sunnyfields are seeking already created, contemporary works of art.

Eligibility: This call for proposals is open to all artists residing in the state of Maryland.

**Please note that work should be appropriate for viewers of all ages.

The selected artist or artists will need to drop the chosen work to Sunnyfields on Monday May 16th between 10-4pm. MAP will offer a loan agreement to each participating artist prior to the exhibition opening which will be held Thursday evening May 19, 2016. All works will be insured by Maryland Art Place.

Please send your proposal to impact@mdartplace.org by 5pm, Friday April 22, 2016. Along with your application, you are welcome to submit up to 10 images. Fee: $10 to submit, free for MAP Members.

Application Deadline: 5pm, Friday April 22, 2016. Download the application HERE.