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Anyone and everyone can be a participating artist at Artomatic@Baltimore.

If you would like to show your artwork at Artomatic@Baltimore, all you need to do is register to secure a space to feature your work.

There is a $100 fee for visual artists at Artomatic@Baltimore. This fee helps us organize the event and make it awesome for everyone involved. At the time of registration artists are required to sign up for three shifts at Artomatic@Baltimore — a total of 15 hours.

Musicans and performing artists please visit this link to register.

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WHERE: 734 North Monroe Street, Baltimore, Maryland,

WHEN: September 18, 2016, 6:00pm to 9:00pm

EXPECT: Music, Food, and movies for children and adult

Thanks to a grant from Baltimore Office of the Promotion and the Arts’ PNC Transformative Art program, a collaborative project involving Morgan State University School of Community Health and Policy and Ground Root, Inc. (formerly A New Day) will kick-off the Community Walk Through Theater (CWTT), an innovative program that will inform, educate, and entertain residents in Midtown. This arts engagement project takes full advantage of Mid-town assets by providing opportunities to create and display art, movies, messages, etc. on a 12 X 19 foot screen using a high powered projector. This projector will display information from the second floor window to a wall 150 feet directly across the street. Other partners involved with this project are A Step Forward, BUILD, Ground Root, and Missions Continues.

In addition to the kick-off event the following events will occur on this lot from 7:00pm to 9:00pm. Each event will show short movies for children and adults as well share upcoming community events:

  • Sunday, September 25: Education and Businesses in Midtown
  • Sunday, October 2: Community Service in Midtown
  • Sunday, October 9: Art in Midtown
  • Sunday, October 16: Spirituality in Midtown
  • Dates are subject to change based on weather conditions.

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If you would like more information about this topic, please contact Ray Baylor at 410-961-2205 or Dr. Randolph H. Rowel at 443-885-3138 or email at Randolph.rowel@morgan.edu.

A brief interview with 2016 Open Studio Tour artist: Dottie Campbell

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Artwork by Dottie Campbell

Can you tell us a little bit about the work that you do in your studio?
Since I capture photographs outdoors and develop and print them in another space, I use my studio to review photographs and group them into collections. My photographs are large in size and it’s great to have good lighting and enough space so I can stand back and review the effect of the print to see whether I’m happy with it.
I also use my studio space to work on other ways to use my photographs. I cut my prints into shapes and construct collages from them; I apply various artist materials on top of the ink surface of the prints to create mixed media artworks; I create three-dimensional forms using the natural curl of the photographic paper; I experiment with unique display ideas for photographic work.

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Artwork by Dottie Campbell

What drew you to the medium(s) that you are currently working with?

All of the media I’ve used in my career as an artist has a basis in photography. I have used the camera to collect ideas for painting, drawing, work with fiber, and work with metal. I returned to photography itself as a medium when technology allowed me to create the large prints I had always wanted to make.

What is something that you think is unique about your studio or practice?

My photographic work is a synthesis of the various art forms I have studied and explored. I approach photography as a multi-media artist.
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Artwork by Dottie Campbell

What is one thing you love about being an artist in Baltimore?
I like all the interesting places I can find to photograph here, especially all the water.

What are you most excited about for this year’s Open Studio Tour?
I’m always excited to show my work for the year as a finished and cohesive group of photographs, and the Open Studio Tour provides me with that opportunity. My thanks to all the people who make the Open Studio Tour happen every year.
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Artwork by Dottie Campbell

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Maryland Art Place (MAP), in partnership The Downtown Partnership of Baltimore (DPOB) is pleased to announce an open ‘Call to Artists’. As an extension of MAP’s annual IMPRINT Project, MAP is working with DPOB to offer a unique opportunity for artists of the greater Baltimore metropolitan area.  The image of that artwork will be used to represent the annual Monument Lighting in Baltimore City to be held December 1st, 2016 where the artist will be publicly acknowledged for their work.

Now in its 45th year, The Monument Lighting will feature local entertainers, food, holiday activities, and a spectacular fireworks display. In 2015, nearly ten thousand people attended the event.

MAP only accepts 2-D works – photography, graphic design, print making, painting or similar media for duplication. All works must be no less than 4 x 4” and no more than 20 x 20”. Work should be oriented in a portrait style and sent in a file no less than 300 dpi for print. The final poster dimensions will be 18 x 24 with borders, sponsor logos, and the event copy.

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A brief interview with 2016 Open Studio Tour artist: Maria Louise High
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Artwork by Maria Louise High

Can you tell us a little bit about the work that you do in your studio?
A majority of the work I do, in either medium, is custom made, taking a single person into consideration during the entire process and creating something special to them even if it is not one of a kind.

In making my Blooms, I am inspired by form and volume and how far I can push that to make a piece that is still wearable in either an everyday context or for a special occasion. I love generous use of rich materials whether they are larger pearls or onyx beading or several layers of tiny seed beading, the layering of texture over the primary volume and form.

Most of my metalwork is done by electroforming and its creative process is opposite to my fabric work in that the texture usually takes first consideration with form and volume following after. In designing this work, I try to focus on personal nostalgia and specifically the way we collect tokens or specimens – sand, shells, pebbles – to remind us of places or people. In creating custom portable objects with a client’s personal specimens, they can share their stories about their tokens as they wear them, rather than having these natural elements sitting in a jar on on a shelf located where little conversation takes place. My production work typically focuses on textures and shapes found in marine life and abstracted to varying degrees.

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Artwork by Maria Louise High

What drew you to the medium(s) that you are currently working with?
It’s been an interesting chain of experience. Painting and illustration led to fabric work and at the request of a friend who was Director of the Woman’s Industrial Exchange, I did some blooms for the shop. So I sort of fell into that, and just worked at creating pieces that were more innovative and unique from what others were doing at the time. It garnered me a commission for a magazine cover and has landed my work in over 20 countries, which still amazes me! Something was still missing, though. After a couple years of that work, I wanted to reinvest in my skills and thought I would take some classes at MICA to further my painting. That’s when I discovered the jewelry department (now the Baltimore Jewelry Center) and everything about it clicked neatly and quickly into my life. I come from a family full of carpenters and ironworkers going back over 100 years, so I guess there’s a genetic component. My tools are just a lot smaller.
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Artwork by Maria Louise High

What is something that you think is unique about your studio or practice?
I do work in two distinctly different media, fabric and metal. Because of switching back and forth, I don’t experience creative block and a break from one medium to work on another keeps the studio busy but balanced. It’s been an interesting journey over the past few months, finally bringing the two media together in a small collection of pieces I am excited to debut during the tour!

 

What is one thing you love about being an artist in Baltimore?
Art is so accessible here. With family roots in Philadelphia, I thought I would naturally end up living there. Then for a time we were planning a move to NYC, but in the end I couldn’t leave Baltimore. It’s been exciting to see the art movement in Baltimore swell and now flow into the maker movement. There is so much going on and it is all one step off of your stoop.
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 Artwork by Maria Louise High

What are you most excited about for this year’s Open Studio Tour?
It’s my first time participating!
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Artwork by Maria Louise High

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Station North Arts & Entertainment, Inc. is now accepting qualifications from artists, designers, and other creative community members to be a paid member of a Station North Mini Golf Design/Build Team.

BACKGROUND
Station North Arts & Entertainment, Inc. (SNAE) has recently received funding from the National Endowment for the Arts for the implementation of a mini golf course. Activating four highly public sites in Station North, the project will engage artists, designers, and local youth from Baltimore’s preeminent creative community. With partners FutureMakers, educators, and students from four area schools, selected artists will each play a vital role in facilitating the collaborative design of two miniature golf holes, with a total of eight miniature golf holes set to launch in 2017.

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